The Ten Painting. The Ten American Painters was an artists' group formed in 1898 to exhibit their work as a unified group.
John Henry Twachtman, J. Alden Weir, and Childe Hassam were the driving forces behind the organization. Dissatisfied with the conservatism of the American art establishment, the three artists recruited seven others from Boston, New York City, and elsewhere on the East Coast, with the intention of creating an exhibition society that valued their view of originality, imagination, and exhibition quality.
The Ten achieved popular and critical success, and lasted two decades before dissolving. In America, popular painting styles usually originated on the east coast in cities like New York and Boston.
The Ten continued a tradition of artists forming new groups in reaction to a lack of support from existing artists' groups. Thus, the National Academy of Design eventually became too conservative to suit the artists who in 1877 initiated the Society of American Artists so they could meet and exhibit their work as a collective.
The Ten American Painters was born from this group in 1898, when Twachtman, Weir, and Hassam found the Society hostile to the Impressionist style they had adopted. Leaving the group was considered a bold move by the general public, but the Society of American Artists felt that it was easier to let the members that were leaving go than appease them. Impressionis
John Henry Twachtman, J. Alden Weir, and Childe Hassam were the driving forces behind the organization. Dissatisfied with the conservatism of the American art establishment, the three artists recruited seven others from Boston, New York City, and elsewhere on the East Coast, with the intention of creating an exhibition society that valued their view of originality, imagination, and exhibition quality.
The Ten achieved popular and critical success, and lasted two decades before dissolving. In America, popular painting styles usually originated on the east coast in cities like New York and Boston.
The Ten continued a tradition of artists forming new groups in reaction to a lack of support from existing artists' groups. Thus, the National Academy of Design eventually became too conservative to suit the artists who in 1877 initiated the Society of American Artists so they could meet and exhibit their work as a collective.
The Ten American Painters was born from this group in 1898, when Twachtman, Weir, and Hassam found the Society hostile to the Impressionist style they had adopted. Leaving the group was considered a bold move by the general public, but the Society of American Artists felt that it was easier to let the members that were leaving go than appease them. Impressionis
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