Washington Crossing Delaware (1851). Oil on canvas. 379 x 648. Washington Crossing the Delaware is an 1851 oil-on-canvas painting by the German-American artist Emanuel Leutze. It commemorates General George Washington during his famous crossing of the Delaware River with the Continental Army on the night of December 25-26, 1776, during the American Revolutionary War. That action was the first move in a surprise attack against the German Hessian allied mercenary forces at Trenton, New Jersey, in the Battle of Trenton on the morning of December 26. The original was part of the collection at the Kunsthalle in Bremen, Germany, and was destroyed in a bombing raid in 1942, during World War II. Leutze painted two more versions, one of which is now in the Metropolitan Museum of Art in New York City. The other was in the West Wing reception area of the White House in Washington, D.C., but in March 2015, was put on display at the Minnesota Marine Art Museum in Winona, Minnesota. Emanuel Leutze grew up in America, then returned to Germany as an adult, where he conceived the idea for this painting during the Revolutions of 1848. Hoping to encourage Europe's liberal reformers through the example of the American Revolution, and using American tourists and art students as models and assistants, among them Worthington Whittredge and Andreas Achenbach, Leutze finished the first painting in 1850. Just after it was completed, the first version was damaged by fire in his studio, subsequently restored, and acquired by the Kunsthalle Bremen. On September 5, 1942, during World War II, it was destroyed in a bombing raid by the Allied forces. The second painting, a full-sized replica of the first, was begun in 1850 and placed on exhibition in New York in October 1851. More than 50,000 people viewed it. The painting was originally bought by Marshall O. Roberts for $10,000. After changing ownership several times, it was finally donated to the Metropolitan Museum of Art by John Stewart Kennedy in 1897. Washington Rallying the Troops at Monmouth, Leutze's companion piece to Washington Crossing the Delaware is displayed in the Heyns Reading Room of Doe Library at the University of California, Berkeley. The painting was lent at least twice in its history. In the early 1950s, it was part of an exhibition in Dallas, Texas. Then, beginning in 1952, it was exhibited for several years at the United Methodist Church in Washington Crossing, Pennsylvania, not far from the scene of the painting. Today, it is on exhibition at the Metropolitan Museum of Art. In January 2002, the painting was defaced when a former Metropolitan Museum of Art guard glued a picture of the September 11 attacks to it. No major damage was caused to the painting. The simple frame that had been with the painting for over 90 years turned out not to be the original frame that Leutze designed. A photograph taken by Mathew Brady in 1864 was found in the New York Historical Society in 2007 showing the painting in a spectacular eagle crested frame. The 12 ft x 21 ft carved replica frame was created using this photo by Eli Wilner & Company in New York City. The carved eagle-topped crest alone is 14 ft wide. The third version of the painting, a smaller-scale version of the original, hung in the White House receiving room from 1979 to 2014. The painting was acquired by Mary Burrichter and Bob Kierlin, founders of the Minnesota Marine Art Museum in Winona, Minnesota, and put on display as the centerpiece of the museum's American collection. The painting is notable for its artistic composition. General Washington is emphasized by an unnaturally bright sky, while his face catches the upcoming sun. The colors consist of mostly dark tones, as is to be expected at dawn, but there are red highlights repeated throughout the painting. Foreshortening, perspective and the distant boats all lend depth to the painting and emphasize the boat carrying Washington. The people in the boat represent a cross-section of the American colonies, including a man in a Scottish bonnet and a man of African descent facing backward next to each other in the front, western riflemen at the bow and stern, two farmers in broad-brimmed hats near the back, and an androgynous rower in a red shirt, possibly meant to be a woman in man's clothing. There is also a man at the back of the boat wearing what appears to be Native American garb to represent the idea that all people in the new United States of America were represented as present in the boat along with Washington on his way to victory and success. According to the 1853 exhibition catalogue, the man standing next to Washington and holding the flag is Lieutenant James Monroe, future President of the United States, and the man leaning over the side is General Nathanael Greene.