Wrestlers. Wrestlers is a name shared by three closely related 1899 paintings by American artist Thomas Eakins.
The Los Angeles County Museum of Art owns the finished painting, and the oil sketch. The Philadelphia Museum of Art owns a slightly smaller unfinished version.
All three works depict a pair of nearly naked men engaged in a wrestling match. The setting for the finished painting is the Quaker City Barge Club, which once stood on Philadelphia's Boathouse Row.
Eakins painted a series of works depicting scullers on the Schuylkill River in the 1870s. In the late 1890s, he painted three major works depicting boxers — Taking the Count, Yale University Art Gallery; Salutat, Addison Gallery of American Art; Between Rounds, Philadelphia Museum of Art.
On May 22, 1899, Eakins had two wrestlers pose in his 4th-floor studio at 1729 Mount Vernon Street, Philadelphia. Three days earlier, he had written to his friend, sportswriter Clarence Cranmer: I am going to start the wrestling picture on Monday at half past two. I wish you could find it convenient to be at the studio and help us with advice as to positions and so forth. The artist's protege Samuel Murray may have been present; he modeled a small sculpture of the wrestlers that is also dated 1899. Eakins painted the works from the live models and from a nearly identical photograph, that may have been taken that day. The photograph show
The Los Angeles County Museum of Art owns the finished painting, and the oil sketch. The Philadelphia Museum of Art owns a slightly smaller unfinished version.
All three works depict a pair of nearly naked men engaged in a wrestling match. The setting for the finished painting is the Quaker City Barge Club, which once stood on Philadelphia's Boathouse Row.
Eakins painted a series of works depicting scullers on the Schuylkill River in the 1870s. In the late 1890s, he painted three major works depicting boxers — Taking the Count, Yale University Art Gallery; Salutat, Addison Gallery of American Art; Between Rounds, Philadelphia Museum of Art.
On May 22, 1899, Eakins had two wrestlers pose in his 4th-floor studio at 1729 Mount Vernon Street, Philadelphia. Three days earlier, he had written to his friend, sportswriter Clarence Cranmer: I am going to start the wrestling picture on Monday at half past two. I wish you could find it convenient to be at the studio and help us with advice as to positions and so forth. The artist's protege Samuel Murray may have been present; he modeled a small sculpture of the wrestlers that is also dated 1899. Eakins painted the works from the live models and from a nearly identical photograph, that may have been taken that day. The photograph show
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