Saint Bavo's Cathedral, Ghent. The Saint Bavo Cathedral an 89-meter-tall Gothic cathedral in Ghent, Belgium. It is the seat of the diocese of Ghent, is named for Saint Bavo of Ghent, and contains the well-known Ghent Altarpiece. The building is built on the site of the former Chapel of St. John the Baptist, a primarily wooden construction that was consecrated in 942 by Transmarus, Bishop of Tournai and Noyon. Traces of a later Romanesque structure can be found in the cathedral's crypt. Construction of the Gothic church began around 1274. In the subsequent period from the 14th through 16th centuries, nearly continuous expansion projects in the Gothic style were executed on the structure. A new choir, radiating chapels, expansions of the transepts, a chapter house, nave aisles and a single tower western section were all added during this period. In 1539, as a result of the rebellion against Charles V, who was baptized in the church, the old Abbey of St. Bavo was dissolved. Its abbot and monks went on to become canons in a Chapter that was attached to what then became the Church of Saint Bavo. When the Diocese of Ghent was founded in 1559, the church became its cathedral. Construction was considered complete June 7, 1569. In the summer of 1566, bands of Calvinist iconoclasts visited Catholic churches in the Netherlands, shattering stained-glass windows, smashing statues, and destroying paintings and other artworks they perceived as idolatrous. However, the altarpiece by the Van Eycks was saved. Main article: Ghent Altarpiece The cathedral is noted for the Ghent Altarpiece, originally in its Joost Vijd chapel. It is formally known as: The Adoration of the Mystic Lamb by Hubert and Jan van Eyck. This work is considered Van Eyck's masterpiece and one of the most important works of the early Northern Renaissance, as well as one of the greatest artistic masterpieces of Belgium. The cathedral is home to works of other artists of note. It holds the painting Saint Bavo enters the Convent at Ghent by Peter Paul Rubens. There are also works by or after Lucas de Heere, one of which is a View of Gent. Frans Pourbus the Elder painted 14 panels representing the History of Saint Andrew and a Triptych of Viglius Aytta. Caspar de Crayer is represented by paintings of St Macarius of Gent, The Beheading of Saint John the Baptist and The Martyrdom of Saint Barbara. The church also holds works by Antoon van den Heuvel including the Christ and the Adulterous Woman and the Resurrection of Christ. There are also works by Lucas van Uden and Jan van Cleef. Local Ghent painter Petrus Norbertus van Reysschoot painted a series of 11 grisailles which decorate the choir of the cathedral, above the stalls. Five of these panels represent scenes from the Old Testament while the other six, episodes borrowed from the New Testament. These paintings were placed in the cathedral between 1789 and 1791. The cathedral has four organs for use at liturgical celebrations. Most famous is the main organ in the Upper church: is the biggest organ in the benelux. In 1935 Mgr Coppieters commanded that the Klais organ from the world exheboition would be put inside the cathedral. The organ case dates from the 18th century and the complete organ has more than 6000 pipes inside. It has 5 manuals. The most impressive part is the high choir with stalls for the members of the Chapter of Saint-Bavon. The episcopal throne is located on the right side with the episcopal arms visible. Highlights of the interior decoration of the choir include the Baroque high altar, in white, black, and red flamed marble; the tomb monuments of Ghent bishops, including that of Antonius Triest, in white and black marble, a major work of Jerome Duquesnoy. On the right side is the gallery with painted crests of the members of the Order of the Golden Fleece. In the choir is the 1559 painting The Queen of Sheba visits King Solomon by the Flemish artist Lucas de Heere. This allegorical work depicts King Solomon as Philip II of Spain, recognisable by his facial features, receiving gifts from the Queen of Sheba, an allegory of the Low Countries, representing that country donating its riches to the Spanish king in thanks for his prudent government. In the nave we find an impressive rococo pulpit, made in oak, gilded wood and white and black marble by Laurent Delvaux, with wrought iron fence by J. Arens, There are also chairs designed by the contemporary designer Maarten Van Severen. The main altar is placed between the nave and the Choir. In the Chapel of the Holiest an important Calvary Triptych is on display.