Giovanni Bellini. Giovanni Bellini was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters.
His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He was considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style.
Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.
Giovanni Bellini was born in Venice. He was brought up in his father's house, and always lived and worked in the closest fraternal relation with his brother Gentile.
Up until the age of nearly thirty we find in his work a depth of religious feeling and human pathos which is his own. His paintings from the early period are all executed in the old tempera method: the scene is softened by a new and beautiful effect of romantic sunrise color. In a changed and more personal manner, he drew Dead Christ pictures. with less harshness of contour, a broader treatment of forms and draperies and less force of religious feeling. Giovanni's early works have often been linked both compositionally and stylistically to those of his brother-in-law, Andrea Mantegna. In 1470 Giovanni received his fi
His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He was considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style.
Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.
Giovanni Bellini was born in Venice. He was brought up in his father's house, and always lived and worked in the closest fraternal relation with his brother Gentile.
Up until the age of nearly thirty we find in his work a depth of religious feeling and human pathos which is his own. His paintings from the early period are all executed in the old tempera method: the scene is softened by a new and beautiful effect of romantic sunrise color. In a changed and more personal manner, he drew Dead Christ pictures. with less harshness of contour, a broader treatment of forms and draperies and less force of religious feeling. Giovanni's early works have often been linked both compositionally and stylistically to those of his brother-in-law, Andrea Mantegna. In 1470 Giovanni received his fi
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