Expulsion of Heliodorus. The Expulsion of Heliodorus from the Temple is a fresco of the Italian renaissance painter Raphael.
It was painted between 1511 and 1513 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the room that takes its name from it, the Stanza di Eliodoro.
The Expulsion of Heliodorus from the Temple illustrates the biblical episode from 2 Maccabees. Heliodorus is ordered by Seleucus IV Philopator, the king of Syria, to seize the treasure preserved in the Temple in Jerusalem.
Answering the prayers of the high priest Onias, God sends a horseman assisted by two youths to drive Heliodorus out. At the left, Raphael's patron, Julius II witnesses the scene from his litter.
The money had been reserved for widows and orphans and a priest had seen and prayed and God sent down a horseman to drive him from the temple. The composition is divided into two halves, in the centre is the priest praying and the priest looks much like Julius II. On the right is the horseman fighting Heliodorus. The menorah by the priest in the centre shows that this is set BC and it is authentic. On the left are widows and orphans grouped together and Julius II is being carried on a throne, witnessing this event. The message of the fresco is don't steal from the church. The architecture begs comparison
It was painted between 1511 and 1513 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the room that takes its name from it, the Stanza di Eliodoro.
The Expulsion of Heliodorus from the Temple illustrates the biblical episode from 2 Maccabees. Heliodorus is ordered by Seleucus IV Philopator, the king of Syria, to seize the treasure preserved in the Temple in Jerusalem.
Answering the prayers of the high priest Onias, God sends a horseman assisted by two youths to drive Heliodorus out. At the left, Raphael's patron, Julius II witnesses the scene from his litter.
The money had been reserved for widows and orphans and a priest had seen and prayed and God sent down a horseman to drive him from the temple. The composition is divided into two halves, in the centre is the priest praying and the priest looks much like Julius II. On the right is the horseman fighting Heliodorus. The menorah by the priest in the centre shows that this is set BC and it is authentic. On the left are widows and orphans grouped together and Julius II is being carried on a throne, witnessing this event. The message of the fresco is don't steal from the church. The architecture begs comparison
Wikipedia ...