Galatea. Galatea is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life in Greek mythology.
In modern English the name usually alludes to that story. Galatea is also the name of Polyphemus's object of desire in Theocritus's Idylls VI and XI and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's Metamorphoses.
Though the name Galatea has become so firmly associated with Pygmalion's statue as to seem antique, its use in connection with Pygmalion originated with a post-classical writer. No extant ancient text mentions the statue's name, although Pausanias mentions a statue of Calm, Galene.
As late as 1763, a sculpture of the subject shown by Falconet at the Paris Salon carried the title Pygmalion aux pieds de sa statue qui s'anime. That sculpture, currently at the Walters Art Museum in Baltimore, now bears the expected modern title Pygmalion and Galatea.According to Meyer Reinhold, the name Galatea was first given wide circulation in Jean-Jacques Rousseau's scene lyrique of 1762, Pygmalion.
The name had become a commonplace of pastoral fictions, because of the well known myth of Acis and Galatea; one of Honore d'Urfe's characters in L'Astree was a Galatea, though not this sculptural creation. The story of Pygmalion appeared earliest in a Hellenistic work, Philostephanus' history of Cyprus, De Cypro. It is retold in O
In modern English the name usually alludes to that story. Galatea is also the name of Polyphemus's object of desire in Theocritus's Idylls VI and XI and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's Metamorphoses.
Though the name Galatea has become so firmly associated with Pygmalion's statue as to seem antique, its use in connection with Pygmalion originated with a post-classical writer. No extant ancient text mentions the statue's name, although Pausanias mentions a statue of Calm, Galene.
As late as 1763, a sculpture of the subject shown by Falconet at the Paris Salon carried the title Pygmalion aux pieds de sa statue qui s'anime. That sculpture, currently at the Walters Art Museum in Baltimore, now bears the expected modern title Pygmalion and Galatea.According to Meyer Reinhold, the name Galatea was first given wide circulation in Jean-Jacques Rousseau's scene lyrique of 1762, Pygmalion.
The name had become a commonplace of pastoral fictions, because of the well known myth of Acis and Galatea; one of Honore d'Urfe's characters in L'Astree was a Galatea, though not this sculptural creation. The story of Pygmalion appeared earliest in a Hellenistic work, Philostephanus' history of Cyprus, De Cypro. It is retold in O
Wikipedia ...