Martin Schongauer. Martin Schongauer, also known as Martin Schön or Hübsch Martin by his contemporaries, was an Alsatian engraver and painter.
He was the most important printmaker north of the Alps before Albrecht Dürer, who collected his work. He is the first painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers.
The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the Trial of Saint Anthony.
His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent scholarship, building on the work of Max Lehrs, attributes 116 engravings to him, with many also being copied by other artists, as was common in the period.
His prolific contemporary Israhel van Meckenem did close copies of 58 engravings, exactly half of Schongauer's output, and took motifs or figures from more, as well as apparently engraving some drawings that are now lost. There are some fine drawings, including ones dated and signed with his monogram, and a surviving few paintings in oil and fresco. Schongauer was born about 1450-53 in
He was the most important printmaker north of the Alps before Albrecht Dürer, who collected his work. He is the first painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers.
The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the Trial of Saint Anthony.
His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent scholarship, building on the work of Max Lehrs, attributes 116 engravings to him, with many also being copied by other artists, as was common in the period.
His prolific contemporary Israhel van Meckenem did close copies of 58 engravings, exactly half of Schongauer's output, and took motifs or figures from more, as well as apparently engraving some drawings that are now lost. There are some fine drawings, including ones dated and signed with his monogram, and a surviving few paintings in oil and fresco. Schongauer was born about 1450-53 in
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