Ascott House. Ascott House, sometimes referred to as simply Ascott, is a Grade II* listed building in the hamlet of Ascott near Wing in Buckinghamshire, England.
It is set in a 3,200-acre estate. Ascott House was originally a farm house, built in the reign of James I and known as Ascott Hall.
In 1873 it was acquired by Baron Mayer de Rothschild. The Rothschild family had begun to acquire vast tracts of land in Buckinghamshire earlier in the century, on which they built a series of large mansions from 1852 onwards.
Baron Mayer gave the house at Ascott to his nephew Leopold de Rothschild, who transformed it over the following decades into the substantial, but informal, country house as it is today. Leopold de Rothschild, whose principal country residence was Gunnersbury Park, used Ascott at first as a hunting box, but realising the limitations imposed by its modest size, in 1874 he employed the architect George Devey to enlarge it. The present half-timbered house is largely the result of that commission.
Devey attempted to design a house that rambled as though it had grown and developed over centuries. The project became a lifetime work for Devey as the house was continually expanded during the remainder of the 19th century. The rambling and climbing shrubs he had planted as part of the design of the facades that Mary Gladstone described in her memoirs are no longer there. The style of archite
It is set in a 3,200-acre estate. Ascott House was originally a farm house, built in the reign of James I and known as Ascott Hall.
In 1873 it was acquired by Baron Mayer de Rothschild. The Rothschild family had begun to acquire vast tracts of land in Buckinghamshire earlier in the century, on which they built a series of large mansions from 1852 onwards.
Baron Mayer gave the house at Ascott to his nephew Leopold de Rothschild, who transformed it over the following decades into the substantial, but informal, country house as it is today. Leopold de Rothschild, whose principal country residence was Gunnersbury Park, used Ascott at first as a hunting box, but realising the limitations imposed by its modest size, in 1874 he employed the architect George Devey to enlarge it. The present half-timbered house is largely the result of that commission.
Devey attempted to design a house that rambled as though it had grown and developed over centuries. The project became a lifetime work for Devey as the house was continually expanded during the remainder of the 19th century. The rambling and climbing shrubs he had planted as part of the design of the facades that Mary Gladstone described in her memoirs are no longer there. The style of archite
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