Ascott House. Ascott House, sometimes referred to as simply Ascott, is a Grade II* listed building in the hamlet of Ascott near Wing in Buckinghamshire, England. It is set in a 3,200-acre estate. Ascott House was originally a farm house, built in the reign of James I and known as Ascott Hall. In 1873 it was acquired by Baron Mayer de Rothschild. The Rothschild family had begun to acquire vast tracts of land in Buckinghamshire earlier in the century, on which they built a series of large mansions from 1852 onwards. Baron Mayer gave the house at Ascott to his nephew Leopold de Rothschild, who transformed it over the following decades into the substantial, but informal, country house as it is today. Leopold de Rothschild, whose principal country residence was Gunnersbury Park, used Ascott at first as a hunting box, but realising the limitations imposed by its modest size, in 1874 he employed the architect George Devey to enlarge it. The present half-timbered house is largely the result of that commission. Devey attempted to design a house that rambled as though it had grown and developed over centuries. The project became a lifetime work for Devey as the house was continually expanded during the remainder of the 19th century. The rambling and climbing shrubs he had planted as part of the design of the facades that Mary Gladstone described in her memoirs are no longer there. The style of architecture, which could be described as English cottage meets Tudor Cheshire Manor house is informal, the ground floor being of red brick, while the floors above are half-timbered. This rustic design no doubt deliberately reflected the house's original intention as a rural retreat and hunting lodge purely for relaxation and pleasure, and contrasted with the family's alternative country home, the more classical and thus impressive Gunnersbury Park. Other Rothschild houses in Buckinghamshire were all designed in the more formal styles of architecture, either the classical renaissance such as Mentmore or that of a French chateau as at Waddesdon Manor. The architecture at Ascott was not intended to faithfully reproduce that of an earlier era. Devey was a forerunner of the Arts and Crafts movement and had developed a rustic style of his own. Huge bay windows provide views over the Chiltern Hills. While, multiple gables of varying heights, with roof lines sweeping to different levels resemble those later designed by the more notable Edwin Lutyens. On the death of Mrs. Leopold de Rothschild in 1937 the house was inherited by her son Anthony Gustav de Rothschild. He and his wife, the former Yvonne D'Anvers, enlarged the house further, and were responsible for the present interiors, full of notable paintings and a large collection of 18th-century English furniture. The ground floor contains the principal suite of large reception rooms, and while these rooms are furnished with works of art and furniture, they are low ceilinged, and, continuing the informal concept of the design, are in no way intended to be state rooms. The entrance hall is notable for its large paintings by Thomas Gainsborough, George Romney, and Joshua Reynolds and the large work by George Stubbs, Five Mares. The dining room, now decorated with what appear to be Dutch tiles but is in fact trompe l'oeil, contains a collection of small, mainly Dutch, paintings from the 16th and 17th centuries by such artists as Aelbert Cuyp, Adriaen van Ostade and Jan Steen. The works of art continue through the common room, with its portrait of a prelate attributed to Lorenzo Lotto. The Drawing Room today displays a collection of blue Chinese ceramics with examples from the Han dynasty circa 206 BC, to the Qing dynasty which lasted from 1644 until 1911. This room contains the painting of the Madonna and Child with St. John by Andrea del Sarto of 1520. In 1936 the Billiards Room was transformed into a library to house the many volumes amassed by Anthony de Rothschild. One of the most comfortable rooms in the house, its book-lined walls are only interrupted by Gainsborough's full-length portrait of the Duchess of Richmond, and various other masterpieces. Standing on a console table is Tiepolo's The Assumption of the Virgin. The room also contains furniture by Thomas Chippendale and ancient Chinese ceramics. The extensive manicured gardens were laid out on the advice of the garden designer Sir Harry Veitch circa 1902 by Leopold de Rothschild as a wedding present to his wife. A sundial made entirely of topiary complete with Latin numerals proclaims in clipped yew: Light and shade by turn, but love always. Closest to the south front of the house are paved areas of gardens in the style of Gertrude Jekyll, and from these across large areas of lawn are the terraced gardens.