Kunstmuseum Den Haag. The Kunstmuseum Den Haag is an art museum in The Hague in the Netherlands, founded in 1866 as the Museum voor Moderne Kunst. Later, until 1998, it was known as Haags Gemeentemuseum, and until the end of September 2019 as Gemeentemuseum Den Haag. It is renowned for its large Mondrian collection, the largest in the world. His last work, Victory Boogie-Woogie, is on display here. The museum building was constructed between 1931-1935, designed by the Dutch architect H.P. Berlage. GEM and Fotomuseum Den Haag are part of the Kunstmuseum, though not housed in the same building and with a separate entrance fee. The museum's collection of modern art includes works by international artists and Dutch artists. The Hague Municipal Museum has one of the largest collections of Dutch Delftware in the world. Selected pieces of the collection are on display at the a permanent gallery which represent Dutch art in the Golden Age. The museum also holds one of the largest collections of Persian ceramics and glasses in Europe. The museum has a collection of 19th and 20th century prints, posters and drawings, containing around 50,000 items. It comprises works by Dutch artists such as Co Westerik and Jan Toorop, as well as works by Rodolphe Bresdin, Ingres, Paul Klee, Toulouse-Lautrec, Odilon Redon and others. A selection is on view in the print room. The collection of fashion items, accessories, jewellery, drawings and prints includes historical items as well as modern ones by designers such as Cristobal Balenciaga, Gabrielle Chanel, Andre Courreges, John Galliano and Fong Leng. For reasons of conservation items are only shown at temporary exhibitions. The music collection includes a large collection of musical instruments and a music library, with an emphasis on European music. The collection mainly includes fortepiano's, wind and plucked string instruments. Also, there are instruments from other cultures and contemporary electronic instruments. In addition, the collection includes prints, posters, drawings and photographs relating to performance practice. Part of the collection came from the Scheurleer Music History Museum, that lasted from 1905 to 1935, and was purchased after the bankruptcy of Scheurleer & Zoonen in 1932.