Supper at Emmaus (1606). Oil on canvas. 141 x 175. Supper at Emmaus is a painting by the Italian master Caravaggio, housed in the Pinacoteca di Brera, Milan. In the collection of Marchese Patrizi by 1624 and possibly commissioned by him, references by Caravaggio's early biographers Giulio Mancini and Giovanni Bellori suggest it was painted in the few months after May 1606 when the artist was in hiding on the estates of Prince Marzio Colonna following the death of Ranuccio Tomassoni, although it may also have been painted in Rome earlier in the year-the innkeeper's wife seems to b e the same as the model for Saint Anne in Madonna and Child with St. Anne of 1605, although given the almost complete echoing of pose and lighting, she may have been done from memory. The painting inevitably invites comparison with the National Gallery version of the same subject: the expansive theatrical gestures have become understated and natural, the shadows are darkened, and the colours muted although still saturated. The effect is to emphasise presence more than drama. Some details-the ear of the disciple on the right, the right hand of the innkeeper's wife-remain badly drawn, but there is a fluidity in the handling of the paint which was to increase in Caravaggio's post-Roman work as his brushwork became increasingly calligraphic. The artist may have had problems working out his composition-the innkeeper's wife looks like a last-minute addition. Neither she nor the innkeeper are mentioned in the Gospel of Luke 24:28-32, but had been introduced by Renaissance painters to act as a foil to the amazement of the two disciples as they recognise the resurrected Christ. From 5 June to 31 August 2013, Supper at Emmaus was exhibited in The Museum of Arts and Crafts in Zagreb, as a welcoming present of Italian government for Croatia's joining the EU on 1 June 2013. In March 2014, Supper at Emmaus is loaned to Hong Kong's The Asia Society for an exhibition called Light and Shadows-Caravaggio The Italian Baroque Master. The society also arranged other artworks and activities to promote the exhibition in Park Court, Pacific Place, which ran from 12 March until 13 April 2014.