Hammer Museum. The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs.
Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become the hippest and most culturally relevant institution in town. Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically over-looked and emerging contemporary artists.
The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
The Hammer opened November 28, 1990 with an exhibition of work by the Russian Suprematist painter Kazimir Malevich which originated at the National Gallery of Art in Washington and subsequently travelled to the Metropolitan Museum of Art in New York. The museum has since presented important single-artist and thematic exhibitions of historical and contemporary art.
It has developed an international reputation for reintroducing artists and movements that have often been overlooked in the art historical canon. Notable examples include a 2003 retrospective of Lee
Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope to become the hippest and most culturally relevant institution in town. Particularly important among the museum's critically acclaimed exhibitions are presentations of both historically over-looked and emerging contemporary artists.
The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.
The Hammer opened November 28, 1990 with an exhibition of work by the Russian Suprematist painter Kazimir Malevich which originated at the National Gallery of Art in Washington and subsequently travelled to the Metropolitan Museum of Art in New York. The museum has since presented important single-artist and thematic exhibitions of historical and contemporary art.
It has developed an international reputation for reintroducing artists and movements that have often been overlooked in the art historical canon. Notable examples include a 2003 retrospective of Lee
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