Armida. Armida is a fictional character created by the Italian late Renaissance poet Torquato Tasso.
She is a Saracen sorceress. In Tasso's epic Jerusalem Delivered, Rinaldo is a fierce and determined warrior who is also honorable and handsome.
Armida has been sent to stop the Christians from completing their mission and is about to murder the sleeping soldier, but instead she falls in love. She creates an enchanted garden where she holds him a lovesick prisoner.
Eventually Charles and Ubaldo, two of his fellow Crusaders, find him and hold a shield to his face, so he can see his image and remember who he is. Rinaldo barely can resist Armida's pleadings, but his comrades insist that he return to his Christian duties. At the close of the poem, when the pagans have lost the final battle, Rinaldo, remembering his promise to be her champion still, prevents her from giving way to her suicidal impulses and offers to restore her to her lost throne.
She gives in at this, and like the other Saracen warrior woman, Clorinda, earlier in the piece, becomes a Christian and his handmaid. Many painters and composers were inspired by Tasso's tale. The works that resulted often added or subtracted an element; Tasso himself continued to edit the story for years. In some versions, Armida is converted to Christianity, in others, she rages and destroys her own enchanted garden. She occupies a place in the li
She is a Saracen sorceress. In Tasso's epic Jerusalem Delivered, Rinaldo is a fierce and determined warrior who is also honorable and handsome.
Armida has been sent to stop the Christians from completing their mission and is about to murder the sleeping soldier, but instead she falls in love. She creates an enchanted garden where she holds him a lovesick prisoner.
Eventually Charles and Ubaldo, two of his fellow Crusaders, find him and hold a shield to his face, so he can see his image and remember who he is. Rinaldo barely can resist Armida's pleadings, but his comrades insist that he return to his Christian duties. At the close of the poem, when the pagans have lost the final battle, Rinaldo, remembering his promise to be her champion still, prevents her from giving way to her suicidal impulses and offers to restore her to her lost throne.
She gives in at this, and like the other Saracen warrior woman, Clorinda, earlier in the piece, becomes a Christian and his handmaid. Many painters and composers were inspired by Tasso's tale. The works that resulted often added or subtracted an element; Tasso himself continued to edit the story for years. In some versions, Armida is converted to Christianity, in others, she rages and destroys her own enchanted garden. She occupies a place in the li
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