Academicism Painting. Academic art, or academicism or academism, is a style of painting, sculpture, and architecture produced under the influence of European academies of art.
Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called academism, academicism, art pompier, and eclecticism, and sometimes linked with historicism and syncretism.
The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influence of the architect Giorgio Vasari who called it the Accademia e Compagnia delle Arti del Disegno as it was divided in two different operative branches. While the Company was a kind of corporation which every working artist in Tuscany could join, the Academy comprised only the most eminent artistic personalities of Cosimo's court, and had the task of supervising the whole artistic production of the Medicean state.
In this Medicean institution students learned the arti del disegno and heard lectures on anatomy and geometry. Another academy, the Accademia di San Luca, was founded ab
Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called academism, academicism, art pompier, and eclecticism, and sometimes linked with historicism and syncretism.
The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influence of the architect Giorgio Vasari who called it the Accademia e Compagnia delle Arti del Disegno as it was divided in two different operative branches. While the Company was a kind of corporation which every working artist in Tuscany could join, the Academy comprised only the most eminent artistic personalities of Cosimo's court, and had the task of supervising the whole artistic production of the Medicean state.
In this Medicean institution students learned the arti del disegno and heard lectures on anatomy and geometry. Another academy, the Accademia di San Luca, was founded ab
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