Spanish Renaissance Painting. The Spanish Renaissance refers to a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries.
This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492: Unification of the longed-for Christian kingdom with the definitive taking of Granada, the last Islamic controlled territory in the Iberian Peninsula, and the successive expulsions of thousands of Muslim and Jewish believers. The official discovery of the western hemisphere, the Americas.
The publication of the first grammar of a vernacular European language, the Gramática by Antonio de Nebrija. The beginning of the Renaissance in Spain is closely linked to the historical-political life of the monarchy of the Catholic Monarchs.
Its figures are the first to leave the medieval approaches that secured a feudal scheme of weak monarch over a powerful and restless nobility. The Catholic Monarchs unite the forces of the incipient state and ally with the principal families of the nobility to maintain their power.
One of these families, the Mendoza, use the new style like distinction of its clan and, by extension, of the protection of the monarchy. Little by little, the novel esthetic was introduced into the rest of the court and the clerg
This new focus in art, literature, quotes and science inspired by the Greco-Roman tradition of Classical antiquity, received a major impulse from several events in 1492: Unification of the longed-for Christian kingdom with the definitive taking of Granada, the last Islamic controlled territory in the Iberian Peninsula, and the successive expulsions of thousands of Muslim and Jewish believers. The official discovery of the western hemisphere, the Americas.
The publication of the first grammar of a vernacular European language, the Gramática by Antonio de Nebrija. The beginning of the Renaissance in Spain is closely linked to the historical-political life of the monarchy of the Catholic Monarchs.
Its figures are the first to leave the medieval approaches that secured a feudal scheme of weak monarch over a powerful and restless nobility. The Catholic Monarchs unite the forces of the incipient state and ally with the principal families of the nobility to maintain their power.
One of these families, the Mendoza, use the new style like distinction of its clan and, by extension, of the protection of the monarchy. Little by little, the novel esthetic was introduced into the rest of the court and the clerg
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