Haller Madonna. The Haller Madonna is an oil painting by Albrecht Dürer, dating to between 1496 and 1499.
It is now in the National Gallery of Art, Washington, DC. The reverse also contains a full Dürer painting, entitled Lot and His Daughters. The Haller Madonna painting on the obverse depicts Mary and an athletic-looking, jowly Jesus, with a window looking out to a distant view.
This scheme is similar to that Giovanni Bellini's works, which Dürer had seen in his first sojourn in Venice. It features coats of arms in the lower corners, both representing prominent families from Dürer's home town of Nuremberg, Germany.
The left-hand arms are those of the house of Haller von Hallerstein, while the right-hand arms are for the Koberger family. In the mid-20th century the work was acquired by Samuel Kress, who later donated it to the American museum of Washington.
When the painting was sold on the antiques market, it was attributed to Bellini; it was later assigned to the German painter due to the style of the landscape and the posture of the child, typical of northern European painting. The child holds a fruit, a symbol of the Original Sin; the red padding of the cushion, as well as the tassels, perhaps symbolize the blood of Jesus' Passion. The reverse of the painting is also painted, with a picture known as Lot and His Daughters, showing a Biblical scene of Lot's flight from Sodom. It includes a
It is now in the National Gallery of Art, Washington, DC. The reverse also contains a full Dürer painting, entitled Lot and His Daughters. The Haller Madonna painting on the obverse depicts Mary and an athletic-looking, jowly Jesus, with a window looking out to a distant view.
This scheme is similar to that Giovanni Bellini's works, which Dürer had seen in his first sojourn in Venice. It features coats of arms in the lower corners, both representing prominent families from Dürer's home town of Nuremberg, Germany.
The left-hand arms are those of the house of Haller von Hallerstein, while the right-hand arms are for the Koberger family. In the mid-20th century the work was acquired by Samuel Kress, who later donated it to the American museum of Washington.
When the painting was sold on the antiques market, it was attributed to Bellini; it was later assigned to the German painter due to the style of the landscape and the posture of the child, typical of northern European painting. The child holds a fruit, a symbol of the Original Sin; the red padding of the cushion, as well as the tassels, perhaps symbolize the blood of Jesus' Passion. The reverse of the painting is also painted, with a picture known as Lot and His Daughters, showing a Biblical scene of Lot's flight from Sodom. It includes a
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