Jacob Blessing Sons of Joseph (1656). Oil on canvas. 173 x 209. Jacob Blessing the Sons of Joseph is a 1656 oil painting by Dutch artist Rembrandt van Rijn. It is said to have almost a sculptural surface with a translucent glaze over paint. This piece is housed in the Gemäldegalerie Alte Meister in Kassel, Germany. Jacob Blessing the Sons of Joseph shows a scene from the Old Testament book of Genesis, Chapter 48. In this scene, Joseph brings his two sons to his dying father Jacob so that they can receive the family blessing. According to tradition, the eldest son is blessed with the patriarch's right hand. However, Jacob deliberately crossed his arms and put his right hand on Ephraim's head and his left hand on Manasseh's head. Joseph was displeased and thought that his father was making a mistake. When Joseph tried to correct his father, Jacob refused and told Joseph that he was purposefully blessing the younger son. This painting only shows the blessing of Ephraim. The arms aren't crossed and Manasseh isn't being blessed simultaneously, as the text implies. In addition, Rembrandt omits the argument between Joseph and Jacob. In fact, the tenderness and warmth of the familial interaction seems to suggest that the blessing of the younger son was the original intention. Lastly, Rembrandt included the mother of the children, Asenath. Asenath was the daughter of an Egyptian priest. According to chapter 41 in the book of Genesis, she was given to Joseph by the pharaoh, himself. The purpose of adding Asenath to the painting is unknown. However, some think that Rembrandt was incorporating 17th century Dutch culture into the painting. Dutch wives were beginning to be viewed more as colleague to their husbands. With this mindset, it would only be logical that Asenath would be present at such an important event as the blessing of her children. Rembrandt is famous for his use of light and shadow and Jacob Blessing the Sons of Joseph is not an exception to the rule. This draws attention to the main characters of Jacob, Joseph, Ephraim, Manasseh, and Asenath while obscuring the background. In particular, there seems to be a halo surrounding Ephraim as he is being blessed. Also notable is the prominent colors that Rembrandt used. The yellows, browns, and reds give the painting a mood that is both intimate and sacred, tender and solemn.