Circumcision. The Circumcision of Jesus, a painting by the Italian Mannerist artist Parmigianino of the common subject of the circumcision of Jesus, was made around 1523 and is now in the Detroit Institute of Arts, Michigan, United States.
The Late Renaissance art biographer Giorgio Vasari described a Circumcision of Jesus by Parmigianino. However, his description does not match the Detroit painting: he described a series of characters holding torches and walking which do not appear in this work.
The painting is known with certainty only starting from the 1830s, when it was part of the Russian imperial collection and was copied in an 1851 etching by J.W. Muxel.
In 1917 it was acquired at Stockholm by A.B. Nordiska Kompaniet, which, a few years later, sold it to the American Axel Beskow.
In 1936 he donated the work to the Detroit museum. The painting was not unanimously attributed to Parmigianino until 1991 The dating from around 1523 is based on comparison with early other works by the artist and by a preparatory drawing at the Cabinet des Dessins of the Louvre museum. The work shows the circumcision of Jesus as described in the Gospel of Luke; the two sacrifice doves refer to the connected act of the purification of Mary. The young Jesus, well illuminated, is the child Jesus, surrounded by a crowd of characters. At the left is a very young Madonna, with blonde hair, similar to the Saint Bar
The Late Renaissance art biographer Giorgio Vasari described a Circumcision of Jesus by Parmigianino. However, his description does not match the Detroit painting: he described a series of characters holding torches and walking which do not appear in this work.
The painting is known with certainty only starting from the 1830s, when it was part of the Russian imperial collection and was copied in an 1851 etching by J.W. Muxel.
In 1917 it was acquired at Stockholm by A.B. Nordiska Kompaniet, which, a few years later, sold it to the American Axel Beskow.
In 1936 he donated the work to the Detroit museum. The painting was not unanimously attributed to Parmigianino until 1991 The dating from around 1523 is based on comparison with early other works by the artist and by a preparatory drawing at the Cabinet des Dessins of the Louvre museum. The work shows the circumcision of Jesus as described in the Gospel of Luke; the two sacrifice doves refer to the connected act of the purification of Mary. The young Jesus, well illuminated, is the child Jesus, surrounded by a crowd of characters. At the left is a very young Madonna, with blonde hair, similar to the Saint Bar
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