Young Woman Seated at Virginals. A Young Woman Seated at the Virginals is a painting generally attributed to Johannes Vermeer, though this was for a long time widely questioned.
A series of technical examinations from 1993 onwards confirmed the attribution. It is thought to date from c.1670 and is now in part of the Leiden Collection in New York.
It should not be confused with Young Woman Seated at a Virginal in the National Gallery, London, also by Vermeer. The painting's early provenance is unclear, though possibly it was owned in Vermeer's lifetime by Pieter van Ruijven and later inherited by Jacob Dissius.
By 1904 it was one of two Vermeers owned by Alfred Beit, the other being Lady Writing a Letter with her Maid. It remained in the Beit family until sold to Baron Rolin in 1960.
The painting was not widely known until described in the catalogue of the Beit collection published in 1904. In the first decades following 1904 it was widely accepted as a Vermeer. Then in the mid-twentieth century, as some Vermeers were discovered to be forgeries by Han van Meegeren and doubt was cast on others, it fell from favour. In 1993 Baron Rolin asked Sotheby's to conduct research into the painting. A series of technical examinations followed, which have convinced most experts that it is a Vermeer, though probably one that was reworked in parts after the painter's death. Rolin's heirs sold the painting through Sotheby's in
A series of technical examinations from 1993 onwards confirmed the attribution. It is thought to date from c.1670 and is now in part of the Leiden Collection in New York.
It should not be confused with Young Woman Seated at a Virginal in the National Gallery, London, also by Vermeer. The painting's early provenance is unclear, though possibly it was owned in Vermeer's lifetime by Pieter van Ruijven and later inherited by Jacob Dissius.
By 1904 it was one of two Vermeers owned by Alfred Beit, the other being Lady Writing a Letter with her Maid. It remained in the Beit family until sold to Baron Rolin in 1960.
The painting was not widely known until described in the catalogue of the Beit collection published in 1904. In the first decades following 1904 it was widely accepted as a Vermeer. Then in the mid-twentieth century, as some Vermeers were discovered to be forgeries by Han van Meegeren and doubt was cast on others, it fell from favour. In 1993 Baron Rolin asked Sotheby's to conduct research into the painting. A series of technical examinations followed, which have convinced most experts that it is a Vermeer, though probably one that was reworked in parts after the painter's death. Rolin's heirs sold the painting through Sotheby's in
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