Procuress. The Procuress is a 1656 oil-on-canvas painting by the 24-year-old Johannes Vermeer.
It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel.
It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated.
It seems Vermeer was influenced by earlier works on the same subject by Gerard ter Borch, and The Procuress by Dirck van Baburen, which was owned by Vermeer's mother-in-law Maria Thins and hung in her home. The woman in black, the leering coupler, in a nun's costume, could be the eponymous procuress, while the man to her right, wearing a black beret and a doublet with slashed sleeves, has been identified as a self portrait of the artist.
There is a resemblance with the painter in Vermeer's The Art of Painting. The man, a soldier, in the red jacket is fondling the young woman's breast and dropping a coin into her outstretched hand. According to Benjamin Binstock the painting could be understood as a psychological portrait of his adopted family. Vermeer is in the painting as a musician, in the employ of the madam. In his rather fictional book Binstock explains Vermeer used his family as models; the procuress could be Vermeer's wife Catherina and the lewd soldier her brother Willem. The three-dimensi
It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel.
It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated.
It seems Vermeer was influenced by earlier works on the same subject by Gerard ter Borch, and The Procuress by Dirck van Baburen, which was owned by Vermeer's mother-in-law Maria Thins and hung in her home. The woman in black, the leering coupler, in a nun's costume, could be the eponymous procuress, while the man to her right, wearing a black beret and a doublet with slashed sleeves, has been identified as a self portrait of the artist.
There is a resemblance with the painter in Vermeer's The Art of Painting. The man, a soldier, in the red jacket is fondling the young woman's breast and dropping a coin into her outstretched hand. According to Benjamin Binstock the painting could be understood as a psychological portrait of his adopted family. Vermeer is in the painting as a musician, in the employ of the madam. In his rather fictional book Binstock explains Vermeer used his family as models; the procuress could be Vermeer's wife Catherina and the lewd soldier her brother Willem. The three-dimensi
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