Woman Writing Letter with Maid. Lady Writing a Letter with her Maid is a painting by the Dutch artist Johannes Vermeer, completed in 1670-1671 and held in the National Gallery of Ireland.
The work shows a middle-class woman attended by a housemaid who is presumably acting as messenger and go-between for the lady and her lover. The work is seen as a bridge between the quiet restraint and self-containment of Vermeer's work of the 1660s and his relatively cooler work of the 1670s.
It may have been partly inspired by Ter Borch's painting Woman Sealing a Letter. The painting's canvas was almost certainly cut from the same bolt used for Woman with a Lute.
Lady Writing a Letter with her Maid is the first of the artist's experiments with centrifugal composition; where the focus is not only from the centre of the canvas. In addition, it is his third work in which the drama and dynamic is not centred on a single figure.
The maid is shown standing in the mid-ground, behind her lady, with her hands crossed and waiting for the letter to be completed. The positions of their bodies indicate that the two women are disconnected. The folded arms of the maid seem outwardly as an attempt to display a sense of self-containment, however she is detached from her lady both emotionally and psychologically. The maid's gaze towards the half-visible window indicates an inner restlessness and boredom, as she waits impatiently for the mes
The work shows a middle-class woman attended by a housemaid who is presumably acting as messenger and go-between for the lady and her lover. The work is seen as a bridge between the quiet restraint and self-containment of Vermeer's work of the 1660s and his relatively cooler work of the 1670s.
It may have been partly inspired by Ter Borch's painting Woman Sealing a Letter. The painting's canvas was almost certainly cut from the same bolt used for Woman with a Lute.
Lady Writing a Letter with her Maid is the first of the artist's experiments with centrifugal composition; where the focus is not only from the centre of the canvas. In addition, it is his third work in which the drama and dynamic is not centred on a single figure.
The maid is shown standing in the mid-ground, behind her lady, with her hands crossed and waiting for the letter to be completed. The positions of their bodies indicate that the two women are disconnected. The folded arms of the maid seem outwardly as an attempt to display a sense of self-containment, however she is detached from her lady both emotionally and psychologically. The maid's gaze towards the half-visible window indicates an inner restlessness and boredom, as she waits impatiently for the mes
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