Alcestis. Alcestis or Alceste, was a princess in Greek mythology, known for her love of her husband. Her story was popularized in Euripides's tragedy Alcestis. Alcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele. Many suitors appeared before King Pelias and tried to woo Alcestis when she came of age to marry. It was declared by her father that she would marry the first man to yoke a lion and a boar to a chariot. The man who would do this, King Admetus, was helped by Apollo, who had been banished from Olympus for one year to serve as a shepherd to Admetus. With Apollo's help, Admetus completed the challenge set by King Pelias, and was allowed to marry Alcestis. But in a sacrifice after the wedding, Admetus forgot to make the required offering to Artemis, therefore when he opened the marriage chamber he found his bed full of coiled snakes. Admetus interpreted it a portent of an early death. Apollo again helped the newlywed king, this time by making the Fates drunk, extracting from them a promise that if anyone would want to die instead of Admetus, they would allow it. And when the day of his death came near, no one volunteered not even his elderly parents, but Alcestis stepped forth to die in his stead. Shortly after fighting with Hades, Heracles rescued Alcestis from the underworld as a token of appreciation for Admetus' hospitality. In some accounts Persephone, the Maiden, sent her up again. Milton's famous sonnet, Methought I Saw My Late Espoused Saint, c. 1650, alludes to the myth, with the speaker of the poem dreaming of his dead wife being brought to him like Alcestis. Lully wrote an opera, first performed in 1674, based on the story. Handel wrote a 1750 masque, or semi-opera, based on this myth. Gluck in 1767 wrote a significant reform opera on the story. Schweitzer composed an opera Alceste to a libretto by Wieland, premiered in 1773 in Weimar, as a milestone of German opera. In his poem Past Ruin'd Ilion, English writer and poet Walter Savage Landor wrote the line Alcestis rises from the shades as having a double meaning, evoking her rise from Hades while demonstrating the ability of enduring poetry to give her vitality, drawing her into the light from the shadows of historical oblivion. Rainer Maria Rilke wrote a poem Alkestis. H. P. Lovecraft and Sonia Greene collaborated on a play called Alcestis. Thornton Wilder wrote A Life in the Sun based on Euripides' play, later producing an operatic version called The Alcestiad. The American choreographer Martha Graham created a ballet entitled Alcestis in 1960. In the animated Disney film Hercules, the background story of the Megara character also alludes to Alcestis. As Hades tells it, Megara sells her soul for her lover, who does not honor the sacrifice and very soon gives his heart to some other girl.