Kiss. The Kiss is an oil-on-canvas painting with added gold leaf, silver and platinum.
by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his Golden Period.
The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere, Vienna, and is considered a masterpiece of Vienna Secession and Klimt's most popular work.
Love, intimacy, and sexuality are common themes found in Gustav Klimt's works. The Stoclet Frieze and the Beethoven Frieze are such examples of Klimt's focus on romantic intimacy.
Both works are precursors to The Kiss and feature the recurring motif of an embracing couple. It is thought that Klimt and his companion Emilie Flöge modeled for the work, but there is no evidence or record to prove this. Others suggest the female was the model known as 'Red Hilda'; she bears strong resemblance to the model in his Woman with feather boa, Goldfish and Danaë. Gustav Klimt depicts the couple locked in an intimate embrace against a gold, flat background. The two figures are situated at the edge of a patch of flowery meadow that ends under the woman's
by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his Golden Period.
The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere, Vienna, and is considered a masterpiece of Vienna Secession and Klimt's most popular work.
Love, intimacy, and sexuality are common themes found in Gustav Klimt's works. The Stoclet Frieze and the Beethoven Frieze are such examples of Klimt's focus on romantic intimacy.
Both works are precursors to The Kiss and feature the recurring motif of an embracing couple. It is thought that Klimt and his companion Emilie Flöge modeled for the work, but there is no evidence or record to prove this. Others suggest the female was the model known as 'Red Hilda'; she bears strong resemblance to the model in his Woman with feather boa, Goldfish and Danaë. Gustav Klimt depicts the couple locked in an intimate embrace against a gold, flat background. The two figures are situated at the edge of a patch of flowery meadow that ends under the woman's
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