Pieta. A pietà is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus, most often found in sculpture.
As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a lamentation in English, although pietà is often used for this as well, and is the normal term in Italian.
Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa and Stabat Mater. The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist.
The pietà developed in Germany about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds.
The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, as well as one of the Seven Sorrows of the Virgin. Although the pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father participates in holding Jesus. In Spain the Virgin often holds up one or both hands, sometimes with Christ's body slumped to the floor. Main article:
As such, it is a particular form of the Lamentation of Christ, a scene from the Passion of Christ found in cycles of the Life of Christ. When Christ and the Virgin are surrounded by other figures from the New Testament, the subject is strictly called a lamentation in English, although pietà is often used for this as well, and is the normal term in Italian.
Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa and Stabat Mater. The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist.
The pietà developed in Germany about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds.
The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, as well as one of the Seven Sorrows of the Virgin. Although the pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father participates in holding Jesus. In Spain the Virgin often holds up one or both hands, sometimes with Christ's body slumped to the floor. Main article:
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