Flagellation of Christ. The Flagellation of Christ, sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ very frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ.
It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary. The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi.
The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes.
The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca, whose precise meaning has eluded generations of art historians. At the same time Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake.
This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two, and between Christ at the Column and a Flagellation. The Church of the Flagellation, at the supposed site in Jerusalem, was rebuilt in 1839 and again in 1929. Flagellation at the hands of the Romans is mentioned in three of the fo
It is the fourth station of the modern alternate Stations of the Cross, and a Sorrowful Mystery of the Rosary. The column to which Christ is normally tied, and the rope, scourge, whip or birch are elements in the Arma Christi.
The Basilica di Santa Prassede in Rome claims to possess the original column. From the 15th century the subject is also painted in individual works, rather than as one of a series of Passion scenes.
The most-discussed single work is the enigmatic treatment on a small panel in Urbino by Piero della Francesca, whose precise meaning has eluded generations of art historians. At the same time Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake.
This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two, and between Christ at the Column and a Flagellation. The Church of the Flagellation, at the supposed site in Jerusalem, was rebuilt in 1839 and again in 1929. Flagellation at the hands of the Romans is mentioned in three of the fo
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